Audiovisual installations

Hypercube
“The Hypercube is a concentric cubic sculpture illuminated with a 120 metre addressable LED array. It’s minimalistic structure is designed to elicit a sense of strength, balance and simplicity yet plays host to (and becomes juxtaposed by) a range of intricate choreographies.”
Kit Webster. More info here.

Infinite 115 “‘Infinite 115’ is an exhibition experiment. In this experiment, a team of emerging artists will install their audiovisual installation “Infinite” in Avery Room 115. “115” is not only the room number but also the serial number of the experiment, which is the first attempt of a series of ongoing debugging activities that will take place in different venues. “Infinite 115” is also a spatial replacement. It replaces two seemingly structural walls and the corner they enclose in Room 115 by projecting moving, non-structural, opened geometric shapes, thus questioning the existence and the formation of the space.”
Liu Chang, Miao Jing (visuals), and Gan Jian (sound). More info here.

The Ark “The Ark is a site specific installation, commissioned by and presented during Proyecta Oaxaca, festival de diseño y artes digitales. The Ark is built around the cacti that line the Aljibe, at the heart of the Ethnobotanical Garden of Oaxaca. Adopting a poetic approach, The Ark gives voice to the garden’s plants, participants in the work, the beating heart of the space and an unpredictable choir. Telling their story, revealing their fantasised and fantastical character, The Ark is the mise-en-abîme of the trail. A three part audio-visual installation, it unfolds like a movie set in space, in which the wandering spectator plays the role of the camera.”
Concept & Visual design by Romain Tardy / antivj . Music by Squeaky Lobster. More info here.

Oscillating continuum “Audiovisual sculpture, 2ch HD square display | 2ch sound, Duration: 08’00″ loop”
Ryoichi Kurokawa. More info here.

SUPERCODEX Extract from the World Premiere of SUPERCODEX [live set].
Ryoji Ikeda. Computer programming for visuals: Tomonaga Tokuyama

Lumière
“Based on self written software, this work on the edge of concert and site specific installation finds previously unseen beauty and minimalistic elegance in a commonly underrated medium. High power lasers are used to draw complex morphing shapes and connect points in space. Unleashing the full potential of the underlying advanced vector engine, Lumière combines precise geometric figures with floating organic structures, presenting the archaic sign language of an alien culture communicating via emerging and disappearing traces of extremely bright light.”

Next video > interview with Henke 6sept13 >

Robert Henke. More info here.

Ravel Landscapes
Audiovisual Concert | Live
Piano | 2ch HD projection

Vanessa Wagner / Quayola & Sinigaglia. Music by Maurice Ravel. More info here.

Ravel Landscapes
Audiovisual Concert | Live
Piano | 2ch HD projection

Vanessa Wagner / Quayola & Sinigaglia. Music by Maurice Ravel. More info here.

Physical “The title of the work refers to the physicality of the perception of sound and image and explores the liminal edges of perception where the division of the senses begins to dissolve. By using techniques which overload the eye and ear, the work asks the question of where perception actually occurs – in ones head, or eyes, or ears – or quite likely, it is a more complex relationship than that.”
Alain Thibault (music) // Matthew Biederman (visuals). More info here.

Frequences (Synthetic variations) “This second installment of the frequencies series is an audiovisual composition purely based on synthetic matter. In a performance context, the length varies from 15 to 40 minutes, being made of short audiovisual sequences that the performer is organizing and processing in real time. Tightly composed together, sound and light are bursting within acrylic structures, bringing a sense of extreme precision where one can either hear the light or see the sound.”
Nicolas Bernier. More info here.